“The music is bewitching and endlessly inventive, and the performances, rich in spontaneity and a sense of exploration, are wonderfully addictive,” The Guardian says of Amandine Beyer and Gli Incogniti’s False Consonances of Melancholy. The project celebrates pioneering Italian Baroque violinist-guitarist-composer Nicola Matteis, a key figure in the violin’s skyrocketing popularity in 17th-century London. With expertise and execution beyond compare, Beyer captures the unique musical traits that shifted English tastes from the popular French style to a newer, more Italian approach. Additional intrigue is found in the program’s pairing of Matteis’s works with those of his better-known English contemporary, Henry Purcell, who is believed to have been directly influenced by Matteis’s novel approaches.

Part of:

Early Music in Weill Recital Hall

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Performers
Amandine Beyer, Music Director and Violin
Gli Incogniti
– Alba Roca, Violin
– Baldomero Barciela, Viola da Gamba
– Nacho Laguna, Theorbo and Baroque Guitar
– Anna Fontana, Harpsichord

Program
PURCELL Trio Sonata in C Major from
MATTEIS Suite in A Minor
PURCELL Trio Sonata in A Major from
MATTEIS Suite in G Major
MATTEIS Suite in G Minor
MATTEIS Suite in C Major