Graphic Content: Feldman & Brown at 100, at St. Paul’s Chapel (Site)
Thursday October 22, 6:00 pm - Saturday October 24, 7:00 pm
$
Experience the pioneering sounds of the New York School through visionary performances that continue to reshape how we listen.
Graphic Content: Feldman & Brown at 100
Free concerts. Be sure to scroll down and register below.
While admission to these events is free, donations are warmly encouraged. Your support goes directly toward compensating the artists and helping make ambitious, community-centered festivals like Graphic Content: Feldman & Brown at 100 possible.
Graphic Content: Feldman & Brown at 100 is a citywide festival celebrating the centennial birthdays of New York School pioneers Morton Feldman and Earle Brown. Across seventeen concerts, talks, and special events, the festival brings together leading performers from the contemporary music community to explore two composers whose revolutionary ideas transformed the landscape of twentieth-century music.
The heart of the festival is a 10-concert series at St. Michael’s Church, featuring landmark works including Piano and String Quartet, Trio, Three Voices, For John Cage, String Quartet No. 2, and more. A 10-Day Festival Pass is available for admission to all St. Michael’s concerts.
Additional performances and special events take place throughout New York City. Explore the complete festival schedule through these links.:
Free Concerts with registration
While admission to these events is free, donations are warmly encouraged. Your support goes directly toward compensating the artists and helping make ambitious, community-centered festivals like Graphic Content: Feldman & Brown at 100 possible.
Thursday, October 22
Doors 5:00 PM • Music 6:00 PM
Works for voices, percussion, and harpsichord by Morton Feldman and Earle Brown
St. Paul’s Chapel at Columbia University,
New York, NY
This intimate evening explores the extraordinary palette of sound imagined by Morton Feldman and Earle Brown, where voices, percussion, and harpsichords become instruments of astonishing delicacy and color. Featuring a new work by Steve Long alongside rare masterpieces by both composers, the program celebrates timbre itself as a primary expressive force—a hallmark of the New York School’s revolutionary aesthetic.