
David Greilsammer performed his imaginative program, Labyrinth, at the Crypt Sessions in New York, on September 27, 2017.
If we think of a musical performance as a work of art, how then can artistic satisfaction be achieved for the solo musician who longs to be as fully involved in the artwork as, say, a painter is in her canvas? Such a musician may feel in conflict with schools of thought, whole intellectual movements, epochs, which dictate that the proper role of the musician is in clear and faithful interpretation of the composer’s intent. If the artist is the composer, problem solved: each performance is in and of itself fulfilling both objectives. But that approach is limited to one artist, one career. For the artist who wishes to communicate a performance channeling the genius of multiple composers living and dead, spanning centuries, it is necessary to appropriate. And the composer must trust his reputation in the hands of the performer. That is the bargain made by composers with musicians in order to achieve fame and, with rare good fortune, immortality.
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